Review ‘Jesus Christ Superstar’ At The Regent

The blockbuster Andrew Lloyd Webber and Tim Rice rock opera ‘Jesus Christ Superstar’ hit The Regent this week on its UK tour.

Initially released as a concept album in 1970, ahead of getting its Broadway debut in 1971, the musical concentrates on the short final period before the death of Jesus, from the point of view of Judas. The plot sees Judas dissatisfied with the direction Jesus is taking, worrying he is caught up in the hype surrounding him and concerned at his relationship with Mary Magdalene, which culminates with him finally turning on Him.

Prior to being overtaken by Cats, Jesus Christ Superstar held the record for longest running West-End musical for its eight year stint between 1972 and 1980, with many famous cast members over the years, including Paul Nicholas, Colm Wilkinson and even today, Julian Clary joining the 2024 UK tour later in the run (no Regent dates).

The show’s concept soundtrack, as you would expect, is a marvel, with many seeing the signature tune being ‘Gethsemane’ in Act 2 (Jesus’s soliloquoy to God), however, the most famous of course would be ‘Superstar’ with even people who have not ever been to see the show instantly recognising the melody.

Directed by Timothy Sheader, the stage is set out with a very industrial feel. A large metal crucifix is laid out on the floor, which has multiple uses throughout the production. There is scaffolding all around with the band set back on the upper levels. The set doesn’t move throughout, though the story shifts around the stage following various locations in Jerusalem including Gethsemane, the Upper Room during the Last Supper, the court of Pilate and finally, Calvary.

The cast (both principle cast and ensemble) gave their absolute all and were immense. The movement and dance was at the very top levels of energy at all times.

Ian McIntosh as Jesus was magnificent. His rendition of ‘Gethsemene’ was flawless and his depiction of the crucifixion was tear jerking. Hannah Richardson as Mary Magdalene gave a beautfully touching performance in ‘Everything’s Alright’ and ‘I Don’t Know How To Love Him’. Luke Street took the stage as Judas and gave a supercharged performance of ‘Damned For All Time / Blood Money’. Louise Francis, Myla Carmen and Mia Musakambeva were the Soul Singers and were brilliant accompaniment throughout as well as the signature ‘Superstar’.

Special mention to local Matt Bateman who was great as one of the Pharisees (along with Jad Habchi) and lovely to see an extra special cheer from the audience at the end to recognise a special performance in his hometown.

The use of imagery and props was extremely inventive. The Pharisees each had a staff that doubled as a microphone when turned upside down, Judas’ tainted silver hands when he betrays Jesus was poignant and the glitter used by Mary as Myrrh to comfort Jesus also was thrown later in the production to represent the 39 lashes which was very effective, but left just the right amount to the imagination, just to name a few examples.

If you’ve yet to experience Jesus Christ Superstar, it has to be something you go and see. It’s an awesome production with a fabulous cast, backed by a soundtrack from the very best.

The show is on until Saturday with several matinee performances. Tickets are available here: https://www.atgtickets.com/shows/jesus-christ-superstar/regent-theatre/

Photographs by Paul Coltas